Kenyan musician Nazizi Hirji, often referred to as the “First Lady of Kenyan Hip Hop,” recently marked a significant and emotional milestone in her career by performing her first show since the tragic loss of her son last year.
As previously reported by The Sauce, Nazizi’s youngest son, three-year-old Jazeel died following an accident while on vacation in Tanzania in December of 2023. This deeply personal and challenging period of mourning kept her away from the stage for nine months, a hiatus that she never imagined she would overcome.
Taking to Instagram, Nazizi shared her feelings about this important moment, expressing the depth of her grief and the strength it took to return to the music scene. She posted a video of her performance and reflected on her journey, writing, “9 months of no music since my jiji left I couldn’t even listen to music leave alone be on a stage!!! I never thought I would perform again I have been in the darkest space!”
The performance, which took place in Uganda was a significant step in her healing process. Nazizi extended her gratitude to the audience, acknowledging the role they played in helping her rediscover her passion for music. “Thank you Uganda, Kampala and Jinja massive you got my heart moving again!” she wrote, highlighting the support she received from her fans and the community.
Nazizi also expressed her appreciation for her friend and fellow musician, Wyre, who has been a pillar of support during this difficult time. She concluded her post with a heartfelt note to him, “To me bredrin @wyredalovechild Thanks for always being there!”
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Nazizi, a pioneering figure in the East African music scene, has a career spanning over two decades. She first gained prominence as a member of the group Necessary Noize, alongside Wyre and Bamzigi, creating some of Kenya’s most iconic hits, including “Kenyan Girl, Kenyan Boy” and “Bless My Room.” Her music is characterized by socially conscious lyrics, blending personal experiences with broader societal issues, and has earned her a loyal fan base across Africa and beyond. In addition to her work with Necessary Noize, she was also part of the East African Bashment Crew, further solidifying her influence in the region’s music industry.
