Madtraxx for Blankets and Wine Kampala III

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The third edition of Blankets and Wine Kampala, the premier Afro-based music festival in East Africa designed to showcase genres of Afro fusion music is set to go down on March 31 at the Uganda Museum Grounds.

The headlining acts at this month’s edition will be Kenya’s Madtraxx, Uganda’s Tamba, The Sundowners Band and the duo of Winston and Pragmo who will be performing live to the thrill and excitement of Uganda’s afro fusion music lovers.

This edition of Blankets and Wine in Uganda will be sponsored by Tusker Lite.

“This is a great time for Tusker Lite to show appreciation to our consumers, and to give back by way of showing them what Afro fusion music and live performances are all about,” says Harry Mwanje, Tusker Lite Brand Manager in Uganda.

Audiences are encouraged to drive down to the venue with a Maasai shuka, blanket or kikoys, a picnic chair, some wine, a picnic basket and their preferred company then proceed to share in this music and lifestyle experience.

Adds Harry: “We promise to deliver not just a good concert but a great experience. We want to show the world that nobody beats Tusker Lite, Blankets and Wine and Kampala combined”.

Blankets and Wine is a quarterly, picnic style music festival that started last year and the event has grown steadily to one of the most highly anticipated music event in Kampala.

Tickets are available at all Uganda Wines and Spirits Distributors retail stores at 35 000UGX for advance tickets. Entrance at the gate will be 50,000 UGX.

Lies That Bind leads Kenyan nominees at AMVCA

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Kenya has received ten nominations for the inaugural Africa Magic Viewer’s Choice Awards, which take place in Lagos on the second week of March.

Of the 28 awards up for grabs, Kenyan TV series Lies That Bind, The XYZ Show and Makutano Junction were picked by a line-up of esteemed judges from across the continent.

Animation Yellow Fever by Ng’endo Mukii was also slotted for a chance at the Best Short Film award.

As expected Nigeria and South Africa filled up most of the nomination slots thanks to more dominant film industries in those countries that are miles ahead of their East African counterparts.

The Kenyan nominees include:

Maureen Koech – Best Supporting Actress in Lies That Bind
Reg Chuhi & Kevin Ireri – Best Picture Editor for Lies That Bind
Quentin Hughes & Alex Konstantaras – Best Local Language Movie (Swahili) for Zeinabu Rudi Nyumbani
Godffrey Mwampembwa/Marie Lora-Mungai for The XYZ Show and Patricia Gichinga/David Campbell for Makutano Junction – Best TV Series

Ng’endo told Capital Lifestyle that she was excited by the news of the nomination.

“I’m so excited! I have watched the other films in the category and they are both socially conscious films, advocating for things concerning women, and I think it’s an honour to be part of that category,” she said on telephone.

The youthful Koech, who acts and sings, has been feted despite being a relative newcomer in the film industry.

“There are very few actors that are focused and she is one of them,” says co-star Maqbul Mohammed.

“She has focus and discipline. And because of that I think that she will go very far.”

The list of nominees was crafted by a team of nine, including Kenya’s Njoki Muhoho and Bongiwe Selane from South Africa, who is a board member of the Independent Producer’s Organisation.

Bongiwe said that though there was a flood of entries from Nigeria and South Africa, a good number of submissions were made by Kenyan film-makers.

“There was a reasonable amount of movies from Kenya, and East Africa, mainly on the Local Language Swahili category,” she told Capital Lifestyle, adding that the submissions were a new breed of movies.

“It’s a pity that there weren’t that many independent movies, but the kind of stories that came up was fascinating. The story lines are no longer rooted in culture, but in modern day Africa and the challenges that Africa goes through now. It’s the Africa we live in now and not the romantic view of the continent, but a new voice; a great voice!”

The awards will be held in Lagos, Nigeria on March 8 and 9, sponsored by Multichoice and Amstel Malta.

“The initiative was designed to recognize and reward African excellence and creativity, and in addition to having professionally-judged categories, will also include some categories in which viewers themselves will vote for winners,” said Multichoice.

Kenya’s geeks click away to ensure peaceful polls

Five years ago, a handful of bloggers invented a way to track – and hopefully prevent – bloody post-election violence that hit Kenya and claimed more than 1,100 lives.

The group of friends that set up Ushahidi — which means “to witness” in Kenya’s Swahili language — have seen their concept become a worldwide success, used in conflict and disaster zones, and again in Kenya ahead of March 4 polls.

Their non-profit software company, funded by several foundations, now employs 23 people and bears witness to a technology boom in what has traditionally been a rural East African country.

As tensions mount again with just over a month until Kenya’s presidential and parliamentary polls, the Ushahidi team are back in front of their screens.

Their invention is now one of the most popular crowdsourcing platforms in the world, taking input from large numbers of people, and so far its map-tracking concept has been used in more than 150 countries.

Most recently it has been used in Indonesia to track floods in Jakarta, to map the scale of rape in the Syrian conflict and to fight violence against women in Cambodia.

“Something which started as a collaborative project is now an actual institution, which is very gratifying,” said Juliana Rotich, 35, Ushahidi’s executive director, raising her voice above the sound of table football in the bar behind her.

USHAHIDI

“There are more than 38,000 maps in different countries… some of them are around crisis mapping, some of them are around election monitoring, and an emerging trend which we are really pleased to see, is corruption mapping.”

Ushahidi is based in one of Nairobi’s most fashionable buildings: the iHub, home to Internet technology projects and from where the Ngong Hills, immortalised by author Karen Blixen in “Out of Africa”, can be seen on fine days.

In late 2007 — when Kenya spiralled into bloody ethnic violence following the news that President Mwai Kibaki had won contested polls — the idea of collating Internet reports to track a political crisis was not new to Africa.

Tunisian blogger Sami Ben Gharbia had notably shown its possibilities.

But the Kenyan bloggers added the possibility of feeding data into their interactive map by text message, the cheapest and most widespread means of communication on the continent.

Initially, their initiative had just 300 contributions, compared with 300,000 when the same software was used in Nigeria’s presidential polls in April 2011.

“In five years, the most important development has been the penetration of mobile phones and Internet in Africa,” said Daudi Were, another Ushahidi co-founder.

“The rise of social network sites in particular has been spectacular in Kenya,” he added.

More than three-quarters of Kenyans — at least 30 million people — have a mobile phone, with almost one in every three Kenyans having Internet access.

Ushahidi is preparing to launch a fresh crowd sourcing project titled Uchaguzi (simulation.uchaguzi.co.ke) — “election” in Swahili — ahead of the March 4 polls, which will also take input from smartphones and social media.

On election night, the iHub will become the operations room to mobilise even more web users than the 200 who came for Kenya’s 2010 referendum on a new constitution.

The team will check data with local observers and associations on the ground, before feeding it into the platform.

At the time of the referendum, this alert system, linked to another network managed by the national electoral commission, made it possible to inform the police of several isolated incidents of violence.

On March 4, if necessary, Kenyan web users will also be able to mobilize a further 900 colleagues worldwide who regularly help out online with cartography in crisis situations.

The young men and women at Ushahidi say they are “quietly optimistic” that polls will be peaceful this time, admitting they were traumatised by the tribal violence five years ago — a world removed from their permanently connected cosmopolitan urban microcosm.

Juliana Rotich had come back to Kenya on holiday from Chicago where she was working as a data analyst. “It was tragic. It shattered our conception of Kenya as a non-tribal society,” she recalls.

“Technology can make more informed citizens. The question whether more informed citizens will vote in a more intelligent way is left to anthropologists,” jokes Daudi Were.

Africa Movie Academy Awards ’13 deadline extended

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The organisers of the Africa Movie Academy Awards have extended the deadline for receiving film entries to January 31, 2013.

Tony Anih, the Executive Secretary of AMAA, says this extension is aimed at giving filmmakers across Africa more time to submit their films.

Anih states that the extension was occasioned by the crash of the ama-awards.com website that made it impossible for AMAA to “retrieve some of the entries that were submitted and uploaded online” and the inability of “some practitioners—mostly from northern, central and southern Africa—to submit their entries online.”

“Some of them have had to send in their entries again via post and because of poor transportation infrastructure across Africa, many entries have not arrived in Nigeria,” Anih says.

The second reason for extending the deadline, Anih says, is that many filmmakers asked for it.

Anih notes that the extension will not affect the AMAA calendar as the award will still take place in April 2013.

The Nomination party of AMAA 2013 is scheduled for March 2013 in a southern African country that is yet to be decided upon.

“We will announce the country that will host the nomination party within the next couple of days,” Anih says. “One or two countries have shown interest and we hope to decide on who will host us over the next few days.”

Filmmakers in eastern Africa–Kenya, Uganda, Tanzania, Rwanda, Burundi, Eastern Congo-Kinshasa, South Sudan, Sudan, Ethiopia, Eritrea, Djibouti and Somalia–are advised to send their work to the AMAA Eastern Africa ofice in Nairobi, Kenya.

Lira to headline Blankets & Wine in March


Multiple award winning songstress Lira will be headlining the inaugural Blankets and Wine event this year, as organizers promise even bigger names in the 2012 line-up.

The South African musician who recently bagged the Most Gifted Female gong at the Channel O Music awards has performed in Kenya before, but this will be her debut appearance at Mamba Village.

Lira last year released her fourth studio album Return To Love, under the Sony Music Label, proclaiming that it defines her own ‘sound’.

Her albums have gone platinum in South Africa and her presence at Blankets’ will add to a growing list of her compatriots who’ve starred at the event including Thandiswa Mazwai and Liquideep.

“We have very ambitious plans for 2012 but with your support we will make it all happen!” says organizer Sandra Chege, who added that the musical event will be extended to Kampala and Mombasa in the coming months.

Lira’s name had been dropped as a possible performer last year along with Zamajobe, as Blankets and Wine got a sponsorship boost from KCB Advantage.

The monthly event has been growing steadily and is currently one of Kenya’s more popular celebrations of African music.

Lira has express her love for live shows and is expected to thrill when she lands in Nairobi on March 5. Here’s one of her latest tracks

Save the popcorn for IMAX Kenya in 2012

Kenyans can start a countdown to experience cutting-edge visuals and mind-blowing audio of an IMAX theatre, when it makes its way to Nairobi in March, 2012.

Screen 1 at the Fox 20th Century Cinema is currently closed for renovations to accommodate the IMAX theatre, which will eventually make Kenya the third country in Africa to have the IMAX Experience, known for their massive screens and digital re-mastering.

A 7.5 metre-high screen has been imported from Canada, according to Anna Ratkinova the Executive Director of the operational management of IMAX cinema in Nairobi.

IMAX decided to put up the screen at the 20th Century Plaza because it is the only theatre hall in Nairobi that can support that size.

Great anticipation and excitement surrounds this project, as Alexei Serkov, the representative of Blue Sky World explained: “We are proud to be the first exhibitor to bring the IMAX Experience to Kenya. The addition of an IMAX theatre is symbolic of the evolution of the cinema industry in Central Africa, where the demand for a premium cinematic experience is growing.”

Ratkinova said the theatre would also be completely renovated to resemble a modern theatre.

“It’s a nice experience, we will be able to run it and it will be successful,” an excited Ratkinova told Capital Lifestyle.

On Angel Media Ltd’s agenda regarding IMAX, is the opening of two IMAX theatres in Mombasa in two years’ time and the establishment of another screen in Nairobi.

Movie-goers will however have to dock up about double the cash for the heightened movie experience, paying approximately Sh1,000 compared to the current Sh500.

According to the IMAX website, more than one billion people have watched IMAX since the opening of the first theatre in 1970.

The massive screen will also support 3D. The new theatre can be described as a “super-movie” with amazing sound and visual effects – so get ready to be impressed.

As of 30 August 2011 there were a total of 560 IMAX theatres operating in 46 countries.

These theatres initially evolved from showcasing visuals in museums and science centres but have showed a knack in the commercial sphere.

(Story by KARIN LABUSCHAGNE & LAURA WALUBENGO)